"NOG Emerges" 2021 Copyright 2021 Turtel Onli

"NOG Emerges" 2021 Copyright 2021 Turtel Onli
Inspired by "NOG" being the Future-Primitif face of the blockbuster group exhibition at the change making, trend setting Museum of Contemporary Art, Summer / Fall 2021 called "Chicago Comics: 1960 Until Now", curated by Dan Nadel. . NOG was mural sized on the MCA's outer wall near the door to its Museum Store which featured NOG merchandise in the form of a Tote Bag, post cards, a ever-cool NOG Sketch Book, plus autographed copies of "Tales From The Rhyhthmic Zone", the Graphic Novel that includes expanded versions of the original NOG stories. So Rhythmistic! All artwork on this blog by Prof. Onli is Copyright 2023 Turtel Onli , and other dates. All Rights Protected & not to be remixed, rebooted or used commercially without a signed agreement with Prof. Onli.

Saturday, October 29, 2022

Afrofuturism! Urbanism!  Rhythmism!
Welcoming all you folks from Japan, Sweden, the USA and Germany among others.
 


Bringing you the Future-Primitif in Fine Art and Graphic Novels!

Going to and flowing from places beyond the orthodoxy of the mainstream! ONLI STUDIOS LLC.

Rhythmism Lives!


Wednesday, October 19, 2022

 For the precious Buyers, cool Collectors and boldly paying fans here: Halloween and El Dia De Los Muertos are cosmic twins in this season.


 If its a horror you's a wanting then its a horror you will be getting. Sasa is giving a new sick Africanized Rhythmistic twist to horror!


 Don't let her light skin fool you!!! Per ONLI STUDIOS LLC. The emerging horror classic. "Sasa: The New Face of Horror". Your booty-cakes will never be the same. 


 But first you gotta buy her. Print version comes packed with our over-sized limited edition Rhythmistic Trading Cards via ONLISTUDIOS.com.


Ebook per Amazon. For your fright nite special!

Monday, October 3, 2022


 For most fine art collecting institutions and art critics quality in art is standards based.  Skills, materials, and context matter. Form follows function. Effect follows concept. Bad art or poorly executed art is not good for Art. Simply being expressive and passionate is not enough.  


The relationship of Visual Art to commerce, cash, or monetized value are not always embraced on the same levels as making trendy social, cultural, or political visual statements. In the Art World the Dead still compete readily with the Living. Forgeries emerge in major showcases with certificates of authenticity to later be outed. Blocking the paths and ascent of current working creative folks. Curators are now the institutional stars or gatekeepers.  Artist were once major pop stars and vital cultural icons. Full of influence and wealth plus power. Who is one's favorite Art Star now?

Now less and less is the power and voice of The Visual Artist.



This is where so many folks with a little computer tech and drawing materials can produce what appears to be "art".  Institutionally it's a bit more of "my media than mass media". Pictures? Yes. Impressive images? Yes. Likable? Yes. Very trendy? Yes.  But will they survive the test of Time?  

Will they yield to incoming changes of standards?


Will the makers of these nouveau images be remembered in Art history or by major museums? How will they earn?  Likable is similar to opinions. Very subjective and personal. Usually, free! But greatness?  Genius? Real power? That usually meets the scrutiny of a proven established criterion. This is where Rhythmism came in in the early 1970s.  Then Afrofuturism in the early 1990s. Buttressed by the explosion of digital production software and social media.