Afro Futuristic visual art is born of Rhythmism! Onli's Future-Primitif works have been shown to positive acclaim with The Museum of Contemporary Art, Chicago, Cool Globes, The Tubman Museum, New Museum of Contemporary Art, NY, The Krannert Museum, The DuSable Museum of Black History, The Museum of Science & Industry, Chicago Children's Museum, & The FIAP in Paris. Educators, enthusiasts, collectors, curators, collectors, & critics are.. WELCOME!
Friday, December 8, 2023
Friday, November 17, 2023
Friday, October 13, 2023
Thursday, October 12, 2023
Wednesday, September 20, 2023
CHICAGO- Smart collectors are seeing early original limited-edition comics and 'zines from ONLI STUDIOS showing up on Ebay.at increasing price points recently. Specializing in limited edition publications, the rarity and innovative nature of these items are motivating and appealing factors to these astute speculators.
Mainstream publishers often produce hundreds of thousands of publications in an edition diluting the collection pool.. Whereas the svelte focus of ONLI STUDIOS is more like the tradition of studio-print-makers, in that it produces limited editions. With reprints being modified so that each edition or series is unique.
Tuesday, September 19, 2023
https://libguides.sdsu.edu/comicsbytopic/afrofuturism
The above is a link to the Afrofuturist Comics Collection at the San Diego State University Library. A tremendous resource.
Saturday, September 16, 2023
https://www.instagram.com/p/CTaEYPNLIsB/
The above is a link to a rare time lapse video of Prof. Onli painting in public at the Museum of Contemporary Art, Chicago in 2021. Here he does his Rhythmistic Future-Primitif thing in depicting the classic image of NOG: The Nubian of Greatness.
Monday, September 4, 2023
“On Rhythmistic Art”
A Future-Primitif Approach to Visual Art.
All images and art are
Copyright 2023 Turtel Onli and other dates.
They may not be remixed
or reproduced for commercial purposes
without a written
agreement with Dr.Turtel Onli, M.A.A.T.
“The art of Turtel Onli is African
Centered. Many who have seen it appear to be confused by it. The
culture conscious African Americans find it unacceptable because it does not
bespeak the “traditional” Africa that they have come to know and love. The
middle-class find it difficult to accept because it is too African and not like
what they have been told is “good art”. Most Rhythm &
Blues...... Hip-Hoppin’ Black Americans do not know about him or his work.
“Miles Plays Miles”. Actual
proposed album cover illustration. From a private collection. Circa 1975
As I stated earlier, his work is African-Centered. He has termed
his style Rhythmism. He coined the term in 1975 when he created an
illustration for the legendary musician, Miles Davis, and rightly so. The paintings, wearable art, Graphic Novels.
illustrations and performances he creates are alive with RHYTHM.
His work is demonstrative in its force. The colors appear to dance before you. The eyes, the lips, the styles of hair pull you, cajole you, take you in.
“The Rhythmistic Button-Head Bench” Chicago Childrens Museum
permanent collection.
“Bench Mark Functional Artworks”, circa 1995. Navy Pier Chicago.
Detail of “The Naga
Momas”. Oils on wooden panels. Circa 2022
Untitled creative
discharge: Colored pencils. Circa 2016.
The colors are bright, vibrant, steamy as they vaporize into a
thin layer of white heat and back the vibrantly charged colors. The
colors dare you to laugh, to play, to join in the high energy of
life. Life on a higher plane. Life in a new Africa, a futuristic
Africa with a neo-tradition that does not deny itself but digs down into itself
to bare yet a new fruit for the future. This future fruit, a
Rhythmistic one, is an universal fruit to embellish the entire fabric of
humanity.
“Chili Tongue”, watercolors.
Circa 1998.
Universal is mentioned because the reference to Onli’s work being
African Centered and not generally accepted in that community is due to its
power and influence being misunderstood. There
is another community into which Onli has yet to be accepted and that is the
mainstream Art Community.
Hype from the “Rhythmistic Smorgasbord
Exhibition” courtesy of the Box Factory For the Arts, St. Joseph, Michigan.
Featuring selected works from Onli’s “Passion Fruit” and “No Evils”
Rhythmisitc visual art series.
Onli is representative of a new age, a forward-thinking age. An
age that has a vision of an Africanization of the future by an Africa that is
viable in the world scheme of things. And a world unified by its
universal values.
Hype from the 2021 Museum of Contemporary Art, Chicago’s blockbu
ster group exhibition and the solo exhibition at stately Gordon Parks Hall’s Corvus Gallery of the University of Chicago, both featuring Onli’s Rhythmistic Future-Primitif visual art.
The classic disparities between Blacks and Whites and specifically
between White and Black males stumbles blindly over into the Art World. The
continuance of this practice inhibits the flow of contributions by Black
artists, creating voids of sterility. This disparity curtails the
universals that we as a culture look for in the world of innovative artists
like Onli.
“NOG Banking”. Acrylics on Linen. Circa 2015. The NOG Nu
series.
The works of artists like Turtel Onli must be endeared, appropriately
reviewed and appreciated because their universals will rhythmically pull at the
ancestral memories that continue to make us human. We can no
longer afford the limitations of Euro-Centric Art as the only contemporary
modernistic approach to unleash the potential power of Art. Onli and
his Rhythmistic Future-Primitif movement give the art critics, patrons, curators
and makes the opportunity to expand their concept of the universal.”
1989: Marcia Hicks, PhD.
Saturday, August 26, 2023
NOTE: Images will enlarge once clicked on.
Thursday, August 24, 2023
Friday, August 4, 2023
CHICAGO- The year is 1975 and Rhythmistic visual artist Turtel Onli decides to create a Rhythmistic treatment of Miles Davis for use as an album cover. Then he makes the perilous maiden voyage to New York to stalk Miles down. With his goal being to offer this impressive Rhythmistic illustration to Miles as a future album cover. At the time Onli was a regular illustrator with Playboy Magazine & The Johnson Publishing Company along with being the founding director of B.A.G., The Black Arts Guild. So why not try? By way of the likes of hair-dresser to the stars, James Finney, he visits Miles, over breakfast, in the Davis home. The transaction does not go well as Miles insists Onli release the rights to the artwork for free. No compensation other than the privilege to be part of the Davis Universe. No payment! Simply put, Onli said "No!', to this generous offer.
Years later the original artwork was collected by a Chicago based fine art collector/musician. Onli is still a practicing Rhythmistic Visual Artist, indie-publisher & Arts Educator.
His 1974 Delmark Records album cover for the brilliant Avant-Garde jazz greats Joseph Jarman & Anthony Braxton is featured as the lead album cover in the Gallery Section of the landmark book, "Rhythm Freedom & Sound".
Sunday, July 16, 2023
2023 Cancer New Moon begins Gold Sheep Month